Sooraj R. Barjatya
Life's Lessons…

I had a normal and happy childhood...

I was 12 when I started going with my father to the sets and the editing studios. It was then that this madness for films struck me. I was fortunate to live in a family where films were a passion. It was after my 10th standard that I decided that I want to make films full-time.

We grew up on Manmohan Desai and Prakash Mehra films.
I chanced upon Raj Kapoor films earlier and after seeing them, I couldn’t think of being anything but a filmmaker. A seminal event occurred when I was in college and saw The Sound of Music. I wept all through and then wrote a long letter to my grandfather, Tarachand Barjatya, saying that I had decided to become a director. Grandfather was so thrilled about it he sent copies of my letter to both my uncles, my father and added a footnote to the letter saying “You have to make a filmmaker out of him”.

In the 80’s Rajshri was producing Saaransh directed by Mahesh Bhatt in which I assisted him. I had seen Mahesh Bhatt’s previous film Arth and found it so beautiful that I decided to join him. The first day of shooting was another turning point. When I saw Maheshji shoot I realized that a director has nothing to do with the camera and camera angles. A director is all about the totality and thrust of the scene. Being an assistant director taught me to be a simple person.

My father was a producer and all through my school life I’ve seen him struggle with directors who were not as passionate about film making, nor as sincere as him. I know of instances when they neither understood nor cared about what he was saying. I wanted to make one film where he would be proud of seeing his concept carried through in totality. That was Maine Pyar Kiya.
The success of Maine Pyar Kiya gave us the confidence that you can get people back into the theatres again. Equally important, it boosted our confidence in ourselves. But there were too many interviews, too much publicity. Then it hit me that I had to make another film! And none of the scripts I looked at appealed to me, so I decided to write the script myself. Afterwards I went back to my father and said, “Please treat me as if I am making my first film again. Tell me where I am going wrong because I don’t have the experience I need.” He said, “Ok, let us take it step by step”.
When we had the trade show of Hum Aapke Hain Koun, I was the laughing stock. They said that I had made a marriage video; there was no suspense, no villain. At the first show a boy came and consoled me with “This happens to every filmmaker. Just move on to the next film.” I was totally shaken. Of course the film went to shatter all records and ran continuously for 100 weeks in India and for over 50 weeks in London and Canada. That confirmed my belief in our values. And that the audience wanted to see the values of Indian culture working in their lives.
My next film Hum Saath Saath Hain came at a point where I suddenly had to face a tragedy – my mother’s death. I realized what life was all about. And Hum Saath Saath Hain was in a way me telling the audience to value the time they spend with their family because I regretted that I had not spent enough time with my mother. It was a success but not as big as Hum Aapke Hain Koun.
Main Prem Ki Diwani Hoon was a film that I made as a way of getting out of my comfort zone. When it was released people said, “Sooraj, we want to see the kind of movies you made with HAHK, with the same kind of family values.” I realized how lucky I was to have the audience expect that from me.
My latest film Vivah was going back to my roots... a return to innocence and simplicity. As my 5th film, it was my most satisfying one. This film is not just about dances and functions that one associates with Indian marriages but also talks about the special rights that we give to the other person when we unite for Vivah ....Vivah deals with the 'courtship' period in a couple's life which we all experience as magical....

Anyone who has never failed has never tried. Failure is an opportunity to learn.

I believe that films should mirror an ideal state of life. My grandfather always said, “Let us take the audiences a little higher on the stage of enlightenment.” He said this because he was a devotee of Sri Aurobindo and The Mother at the Pondicherry Ashram. So Rajshri will always make idealistic films.

I believe Marriage is a relationship that helps you celebrate the good times and get over the bad times.

I believe that if I am not in pain and not in the hospital, then I have no right to complain about anything in life.

I believe there is a God and there is a conscience. Nothing is more important than having a good night’s sleep with a clear conscience. The feeling that I’ve done nothing wrong today, I believe in karma on day-to-day basis. That is if I do wrong, I get the result in 24 hours. Cause and effect is the law of nature.

For me, the most wonderful thing in life is that I can make films and influence people’s emotions in some way. This is the greatest gift I could have ever received.

 
 
Profile
- About Us
- Tarachand Barjatya
- Sooraj R. Barjatya
  > Main Page
  > Life's Lessons…
  > People On Sooraj…
  > Media on Sooraj…
- Rajshri's 60 years
 
 
 
   
 Copyrights 2006 - 07 Rajshri Productions All rights reserved Contact Us | Home  
Designed & Developed by K Webmaker™